In terms of technical expertise,
inventiveness, and aesthetic perfection of glaze
and
shape, Song period ceramics stand unrivaled for
the
quality of its ware, constituting a magnificent
expression of
ceramic art, not only in China but in the entire
world.
During the Song period, a unity of the essential
components which are fundamental to the
ceramist's art, such as vessel shape,
potting techniques, glaze, decoration, firing
processes, and aesthetic theory were all
masterfully combined in
a high standard of excellence.
In general, the shapes used during the Song
Dynasty are
rather simple and sedate by comparison to what
preceded
them and what was to follow. Likewise, the glazes
tend to be monochromatic and subtle, a fluid,
integral
part of the form of the vessel, they cover, with a
depth of color and texture that invites the
spectator
to both touch and contemplate.
Song aesthetic sophistication was matched by an
incredible inventiveness, which led to a variety of
classic wares, usually associated with a specific
region of China. These included the court-
patronized five famous kilns: Ru, Guan, Ge, Jun
and Ding wares, as well as the Longquan
celadons.
Several of these regional ceramic wares were so
valued during their day that
they were used as tribute and yearly taxes to the
imperial court.
- (RL.0963)
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